In his autobiography, Stone Alone, Bill Wyman has said that he came up with the song's distinctive main guitar riff, working on it with Brian Jones and Charlie Watts before it was ultimately credited to Jagger and Richards. the funky, essential essence" following the psychedelia of Their Satanic Majesties Request. Just a metaphor for getting out of all the acid things." And in a 1968 interview, Brian Jones described it as "getting back to. It's about having a hard time and getting out. Jagger said in a 1995 interview with Rolling Stone that the song arose "out of all the acid of Satanic Majesties. Humanities scholar Camille Paglia speculated that the song's lyrics might have been partly inspired by William Blake's poem " The Mental Traveller": "She binds iron thorns around his head / And pierces both his hands and feet / And cuts his heart out of his side / To make it feel both cold & heat." Surprised, Jagger asked what it was, and Richards responded: "Oh, that's Jack – that's jumpin' Jack." The lyrics evolved from there. Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, when they were awoken one morning by the clumping footsteps of his gardener Jack Dyer walking past the window. Just jam the mic right in the guitar and play it back through an extension speaker. Both acoustics were put through a Philips cassette recorder. The high-strung guitar was an acoustic, too. I learned that from somebody in George Jones' band in San Antonio in 1964. And there was another guitar over the top of that, but tuned to Nashville tuning. Then there was a capo on it, to get that really tight sound. Open D or open E, which is the same thing – same intervals – but it would be slackened down some for D. I used a Gibson Hummingbird acoustic tuned to open D, six string. Picture sleeve used for most singles outside of UK
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